Snehal Patel, filmmaker for Fearless Productions, shot his latest film “Indian Gangster,” using a digital SLR camera (DSLR). Normally, you use these cameras for taking still images; however, he used his for movies. The images are gorgeous, but the workflow is really tricky. Discover why he selected this camera and how he solved the editing challenges in his new film. http:// www.digitalproductionbuzz.com
Philip Hodgetts, CEO of Intelligent Assistance, has written about the death of advertising as we know it. In this segment, he discusses the impact on entertainment funding as ad dollars continue to decline. Then, he and Larry talk about how this change in advertising impacts effective gathering of news and information.
Stacey Parks, CEO of Film Specific, travels the world covering the latest distribution deals. No one knows where the money is better than Stacey Parks. We talk with her about what filmmakers need to know to make money on their projects.
http:// www.digitalproductionbuzz.com
Scott Anderson, partner at the Control Group, is actively involved in post-production at the high-end of high definition video. From creating digital dailies to digital intermediates, we talk with him about the challenges of high-definition, what works, what doesn’t and traps that producers need to avoid. http:// www.digitalproductionbuzz.com
Carey Keeney, producer, and Synderela Peng, art director, both at yU+co. created over 500 VFX shots for the upcoming movie: “Gamer.” Discover how they did it, and the challenges they faced, on this week's show.
There’s nothing like the Digital Production BuZZ for staying current with our rapidly moving industry. Then, for weekly updates on our industry, listen to: www.digitalproductionbuzz.com.
http:// www.digitalproductionbuzz.com
Oliver Peters is an editor for DV and Videography magazines. The hottest new technology is shooting video with a digital SLR camera. Here, Oliver discusses the post-production traps and workarounds when editing video images shot on still cameras.
Paul Kobelja is an Account Executive at PRG, a company that provides lighting gear to events from the Superbowl and the Olympics to independent productions. He discusses the cost, safety and environmental benefits of LED lighting and highlights other new technologies that the movie industry has been slow to adopt.
http://www.prg.com/marketsproducts/specialty/video
Rich Storek is a successful architect with a keen sense of the creative as well as the founder of Storek Studios. He just released a new plug-in for Final Cut called nVeil that enables editors to create truly stunning artwork using images from video.
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